Lecture by theatre studies specialist Lenka Jungmannová on the genesis of Havel’s first produced play, “The Garden Party” (1963), including presentations of five preserved versions (one newly discovered), the tracing of its motifs through the playwright’s previous work, and discussion of the influence of other theatrical personages on the creation of the play.
Letters to Olga – essays written in prison, letter
„Once you’re here, however, whether you want to or not, you have to ask the question: does all of this have a meaning, and if so, what?… Ultimately, I can only find an answer – a positive answer – within myself, in my general faith in the meaning of things, in my hope. What, in fact, is man responsible to? What does he relate to? What is the final horizon of his actions, the absolute vanishing point of everything he does, the undeceivable “memory of Being”, the conscience of the world and the final “court of appeal”? What is the decisive standard of measurement, the background or the field of each of his existential experiences? And likewise, what is the most important witness or the secret sharer in his daily conversations with himself, the thing that – regardless of what situation he has been thrown into – he incessantly inquires after, depends upon, and toward which his actions are directed, the thing that, in its omniscience and incorruptibility, both haunts and saves him, the only thing he can trust in and strive for? “
Václav Havel: Letters to Olga – essays written in prison, letter, August 7, 1980